Published on Apr 29, 2012 by misssophiemadeleine
This is what happened when virtuoso singer and songwriter HANNAH SCHNEIDER paid a visit to our attic studio, all the way from Copenhagen!
We discovered that we all shared a love for FIRST AID KIT, and this song is particularly wonderful, so we thought we'd cover it. See the original here: http://www.youtube.com/watch?v=UsP2-HwdpOk
We also urge you to buy First Aid Kit's new album "The Lion's Roar", because it's simply incredible.
This video was so much fun to make, really hope you all like it!
Tech info for those interested:
Hannah plays the Casio SA-76 mini keyboard and Glockenspiel
Tim plays a vintage Guild acoustic.
Sophie plays a Risa Electric Tenor Ukulele through a Fender Blues Jnr.
Filmed with a Canon T1i. Live audio recorded and mixed in Logic.
Published on Apr 17, 2012 by NettwerkMusic
Admiral Fallow - The Paper Trench [Official Video]
Tree Bursts In Snow 21 May 2012
"Admiral Fallow offers the type of music marked by chamber strings and woodwinds layered with pop structural elements...we have high hopes for their sophomore album." -- PasteMagazine.com "Top 10 International Acts To Watch For 2012"
Director: Greg Davenport
Filmed in Glasgow & Loch Lomond
Published on Apr 16, 2012 by DominoRecords
Domino is happy to announce its participation in Record Store Day, releasing a number of special records exclusively through independent outlets on Saturday the 21st of April 2012.
This video was written and produced while traveling through Chile & Patagonia with my girlfriend. We spent 5 weeks exploring this amazing country, and this is how we chose to document it.
Bowspirit by: Balmorhea
Skeletons by: Yeah Yeah Yeahs
The Bowery Presents Live features groundbreaking must-see live music and the latest in emerging music culture. TBP Live streams live shows and features intimate performances from industry leaders and the next big things in music.
"The blues are because you're getting fat and maybe it's been raining too long, you're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. Do you ever get that feeling?" - Breakfast @ Tiffany's
Music By: Agnes Obel, Lana Del Rey, Damien Rice
three months ago i bought a plane ticket, packed a bag, and moved to the other side of the world. watching the seasons change as a stranger in a new place is the most beautiful thing i've experienced yet.
music for blue-blooded girls lost in the woods, turntable princesses without thrones, damsels in distressed jeans who take too many pills and fall into comas. a new project: modern interpretations of fairy tales and folklore, themed around individual tropes.
i think of myself as the wandering sort, so long as you're the home at the end of the road. music for long walks and dead ends and dirt roads and cobbled alleys and the journey rather than the destination.
we say it could be simple, but the thing about attraction is it's never simple. desire's got its own agenda, love plays by its own rules. go ahead and do whatever your heart's telling you, girl. throw out the playbook, get in my bed.
“Winter is the time for comfort, for good MUSIC,
for good food and warmth,
for the touch of a friendly hand and for a talk beside the fire:it is the time for home.”
cover art inspirated by works of A u d r e y K a w a s a k i
do you think about me too? i'm the sunset through a bus window, i'm the unmade bed. blink and you'll miss me. the city never could keep up with the way you made my heart race. i'm written on your skin, aren't i? we crave in silence, we lust in the dark.
your favorite nasty-ass mix series is back in business, and this time it's less hygienic than ever. you think you know, but you don't know shit. get ready to make mistakes and breed drama with good old-fashion ass smackin and pussy poppin. let the liquor and body juices flow, motherfuckers.
Inspired mix by #DavidLynch's film, "Mulholland Drive." Music includes songs from: Andrew Belle, Lana Del Rey, and Daughter.
Vector Art By ( The Amazing) : Grzegorz Domaradzki
Buzzfeed released a list like this today. It sucked. I don't care what your life experience is, drinking alone to Third Eye Blind is not, nor ever will be, an option!
Music by Tom Waits, Townes Van Zandt, The Replacements et al
just deal with it YO
For: "Sixteen year old you and your duct taped copy of 'On The Road"
Trade in your sarcastic heart for something you can use
sounds courtesy of Two Cow Garage, Patti Smith, Velvet Underground
Fanmix inspired by the works of Brooke Shaden, a remarkable photographer and artist. Tracks on this mix by: Florence + The Machine, Yuna, and MSMR. For Brooke Shaden's work: twitter @BrookeShaden or http://www.brookeshaden.com/ Photo Credit: "An Intimate Affair" Brooke Shaden (http://tinyurl.com/l3wffms)
A mixtrack for all the people who never thought they would survive high school in the 90s. The people who sat at the far corner of the lunchroom with their head in a book, and their ears plugged to music coming from their CD player. This mix includes songs from: Rage Against the Machine, Pearl Jam, and NIN.
I was sitting at our local suburban casino a couple of weeks ago, just people watching and attaching songs and back stories to people...because thats what I do. There is so much to be learned from people you never have to meet.
Soundtrack from Houndmouth, Jason Isbell, Portugal.The Man. et al
A collection of cover songs that may surprise you. Mostly mellow, some of the artist took pop chart tracks and made them almost better than the original. Artists: Rachael Cantu, Lana Del Rey, Ellie Goulding.
A mix inspired by one of my favorite tv series. With Season 3 showing a bit more than we expected with Lucrezia & Cesare, I thought I'd put this together. Enjoy! Music: Placebo, Zola Jesus, Hooverphonic .
I'll be continually adding songs to this mix so check back soon.
a soundtrack for all of my missed steps and wrong turns, romantically speaking. This playlist should actually be THOUSANDS of songs long.
Music by The Avett Brothers, The Thermals, Eleanor Friedberger, et al
Silver moon upon the deep dark sky,
Through the vast night pierce your rays.
This sleeping world you wonder by,
Smiling on men's homes and ways.
Oh moon ere past you glide, tell me,
Tell me, oh where does my loved one bide?
Tell him, oh tell him, my silver moon,
Mine are the arms that shall hold him,
That between waking and sleeping
Think of the love that enfolds him.
May between waking and sleeping
Think of the love that enfolds him.
Light his path far away, light his path,
Tell him, oh tell him who does for him stay!
Human soul, should it dream of me,
Let my memory wakened be.
Moon, oh moon, oh do not wane, do not wane,
Moon, oh moon, do not wane...
English composerGustav Holst composed The Planets between 1914 and 1916. The Birmingham premiere of the suite took place in 1918, fifteen years before Pluto was discovered. Though the Planets became by far the most popular work of Holst's and one of the most known pieces by an English-born composer, Holst did not consider the piece one of his finest. Partially because of this, he never wrote an eighth movement, though unexpectedly the IAU relegated Pluto from its status as planet proper in 2006.
"It is probably no accident that Stravinsky's Rite of Spring, which is really the seminal work of the 20th century in so many ways, happened in 1913, just before the greatest conflagration that the world had ever known … Stravinsky talked of trying to recapture the violence, the sense of the earth cracking open, that he witnessed every spring in Russia…but on a deeper level, it's a musical metaphor for the vessel of an exhausted era cracking open." (Sir Simon Rattle)
Published on 9 Mar 2013
"Hawking" is the extraordinary story of the planet's most famous living scientist, told for the first time in his own words and by those closest to him. Made with unique access to Hawking's private life, this is an intimate and moving journey into Stephen's world, both past and present. An inspirational portrait of an iconic figure, Hawking relates his incredible personal journey from boyhood under-achiever, to PhD genius, to being diagnosed with Motor Neuron Disease and given just two years to live. Despite the constant threat of death, Hawking manages to make many remarkable scientific discoveries and rises to fame and super-stardom. "Hawking" - a remarkable man, and a remarkable movie.
I LIKE TRAINS are a hidden treasure. Haunting instrumentation and broken, world weary vocals portray a tender depiction of tragedy, past, present and future.
Building the bricks of a productive creative partnership, over the past six years I LIKE TRAINS have perfected their craft. Their sullen heart felt songs wash across you like a sea of wondrous turmoil. I LIKE TRAINS have had their music featured on Hollywood film trailers, adverts and television, including an episode of cult series CSI:Miami. In October of 2007, the band released their debut LP, ‘Elegies To Lessons Learnt’ which contained a captivating collection of tracks documenting a series of historic downfalls and the mistakes we failed to learn from. The band are set to release their eagerly awaited second LP later this year. Whilst articulating the morose truths of life, the band provide a ray of light with their gentle flowing guitars, rich earthy vocals and glimmers of exultant choral euphoria that show hope within despair.
A sample of this Chingford based band’s latest album, which is already available in the UK but due to be released in the US 15 Sept 2009.
They are new to me but have great energy and enthusiasm, just the music to start off this weekends bank holiday.
This is what a fan (Rifleshardcore) thinks of this album:
“The Rifles, in one record, have moved themselves from a humble London-based quartet, seemingly happy with their massive cult following, to a band who appear to have finally realised that, quite literally, no-one else does what they do as well as they do it, and they deserve recognition.
And long may that continue.”
Patrick Watson is a musical mad scientist. He’s an internationally acclaimed singer, composer, songwriter, and producer. Patrick Watson is also the name of this mad genius’ band, fleshed-out like Frankenstein by Robbie Kuster, Mishka Stein, and Simon Angell.
Both the man and his monster have received international acclaim since the September 2006 release of Close to Paradise in Canada. The first-ever release on Secret City Records (based out of the band’s native Montreal), Close to Paradise propelled Patrick Watson quickly into stardom; it went gold in Canada, and won numerous awards, including Canada’s prestigious Polaris Prize. The album saw international release in September 2007, and the band hasn’t looked back, selling over 100,000 copies worldwide. Since then Patrick Watson’s fanbase seems to have grown exponentially, with the live show now commanding huge audiences across the world, from Paris, to Reykjavik, Amsterdam, London, New York, and of course, Montreal, where Watson and most of the band still resides.
Despite the internationally demanding schedule, Watson himself also found time to contribute to Cinematic Orchestra’s 2007 album, Ma Fleur, and to compose scores and songs for a number of films—something he has always had a passion for. It should come as no surprise then, that the band’s music is often described as cinematic and wildly eclectic. In fact, this aspect of their sound can be traced back to Watson’s earliest musical days. While he was honing his angelic voice at age seven singing in local churches on the West Island of Montreal, he also grew up studying classical and jazz piano performance, arrangement, and composition. His first recording project was an experimental suite of music set to a series of photographs by Quebec artist, Brigitte Henry. To this day you can still hear a composer’s ear behind even the band’s most accessible pop songs.
Watson met guitarist Simon Angell in their hometown of Hudson, Quebec while they were barely teenagers, and the two have collaborated ever since—Angell’s soundscapes and noise-influences having developed into the perfect complement to Watson’s colourful melodic compositions and gut-wrenching falsetto. Then, while studying music at Vanier College in the late-nineties, Patrick had met Ukrainian-born Mishka Stein, and Swiss/British Columbia ex-pat Robbie Kuster, who were increasingly invited to fill out his rhythm section when performing live shows (with Angell having long-since become a permanent fixture). Though still Watson’s project, an informal residency at the legendary Café Sarajevo and an eerie live chemistry between the four musicians quickly led to more group writing and a growing word-of-mouth fanbase.
Just Another Ordinary Day was self-released in 2003 as a result, and stands as a kind of snapshot of a band in formation, highlighting the bands penchant for dreamy soundscapes (echoing Sigur Ros, Bjork and Radiohead), with Watson’s voice as the centerpiece. Through 2004 and 2005 buzz on the band’s live shows lead to performances with an impressively diverse group of artists, from Phillip Glass and Steve Reich, to Feist. In the summer of 2006, they even invited on a European tour with the late James Brown, a fitting last leg to the first chapter of their story. Close to Paradise was released immediately after, in September 2006.
Patrick Watson and his bandmates spent most of the latter half of 2008 in Montreal recording the follow-up to Close to Paradise—Wooden Arms, which will be released in spring 2009.
Reference: Patrick Watson website
Here’s a selection of tracks from their 2006 album “Close To Paradise”.
This indie band from Chapel Hill, N.Carolina have recently released their latest album “Not For Everyone Just For You”.
Relatively unknown, North Elementary is a music collective revolving around the songwriter, John Harrison. There are a number of tracks which I particularly liked and would predict that they wont remain on the sidelines for very long.
The album can be heard as a stream on their myspace page or as a preview I have 3 tracks here:
Explosions in the Sky is an American instrumental post-rock band from Texas. The band has garnered popularity beyond the post-rock scene for their cinematic, elaborately developed guitar work, narratively styled instrumentals, what they refer to as “cathartic mini-symphonies,” and their enthusiastic and emotional live shows. They primarily play with three electric guitars and a drum kit, while band member Michael James will at times exchange his electric guitar for a bass guitar.
Little Black Dress is the brainchild of veteran Dallas musicians Toby Pipes and Nolan Thies. The two have collaborated on the writing, engineering and producing of all the cuts that will appear on their upcoming debut album in 2009. Their unique sound might remind you of a deep-cut track from one of your favorite 4 A.D. compilations with influences spanning decades of innovative music - from synth driven sounds of Depeche Mode and Cabaret Voltaire, to the droning but noisy guitars and under-stated vocals of My Bloody Valentine and The Jesus and Mary Chain, to the layered melodic swirling of the Cocteau Twins.
Along with Toby (vocals, guitars) and Nolan (vocals, bass), Little Black Dress is backed by Brent Elrod (guitars), Earl Darling (drums), Cooper Heffley (electric drums/keys) and Taylor Tatsch (guitars).
The American Analog Set, also known as The AmAnSet, is an indie rock band from Austin, Texas, USA. The group is led by singer and guitarist Andrew Kenny. Additional members include or have included Lee Gillespie, Mark Smith, Craig McCaffrey, Tom Hoff, Lisa Roschmann and Sean Ripple. Their name derives from their preference for analog rather than digital recording media. Formed in 1995, the group has released six full-length albums the latest one being Set Free, which was released on September 20, 2005 in North America.
In October 2005, rumours began spreading across the internet that the group was on the verge of disbanding. The band quickly refuted such rumours, but added that they may not tour again due to their obligations with other projects.
Made up of six friends from Oklahoma City ranging in age from 20-23, The Uglysuit brings a different mentality to what they do – remarkably fresh-faced and honest, the band believes in letting loose, fostering a heartfelt atmosphere of hope and love, and works hard to shape what comes naturally. Playing together since their early teen years has given them an almost familial connection which shines through on their beautiful, fully-realized debut album. The Uglysuit’s music is an extended love song to the notion that everything is possible, yet nothing is guaranteed. It’s born of excitement and energy and built on potential and promise. It’s based on the premise that change exists in everything, and where a wide-eyed view of the world doesn’t equal naiveté. It reminds us that we are alive, and that maybe it’s not too late.
A Classic Education come from Bologna, Italy. Part Canadian, part Italian. The band has been going for just under a year. Much has happened since. A Classic Education has been invited to play or toured with Arcade Fire, Modest Mouse, Lightspeed Champion, Okkervil River, Hot Club De Paris, Fanfarlo, Jeremy Warmsley. They have played a selection of London’s best club nights such as White Heat, Club Fandango and Twee As Fuck. This past summer the band have been invited to play the Indietracks Festival alongside bands such as Los Campesinos!, The Wave Pictures & The Wedding Present. With their debut "First EP" (distro by Rough Trade), a limited edition 12" that documented the first year as a band, they have been gathering praise and hype from some of the most respected music blogs and websites in the world such as The Torture Garden, Drowned In Sound, Sixeyes, Chromewaves, Music Slut, Song By Toad, Sweeping The Nation, 17 Seconds etc. The band has been busy recording songs with uk musician and producer Jeremy Warmsley (Transgressive Records).
Many moons ago, atop one of seven mountains surrounding a picturesque Norwegian countryside, two scruffy-faced individuals-Fredrik Saroea and the man known simply as Ket-Ill-made a pact to alter the face of contemporary music as we know it by single-handedly transforming themselves into what they called the peak of pop evolution. Already home to indie-pop luminaries like the Kings of Convenience, Röyksopp, Annie, Ralph Myerz, and Even Johansen of Magnet, Bergen’s southwest coast would be a fertile proving ground for their exploits, but far be it from Fredrik and Ket-Ill to sit back and let the buzz come to them.* DIY punk rockers by nature, but heavily influenced by the distinctive style and stage presence of groups like Talking Heads and Devo, the boys decided to ditch the thrash guitars in favor of the simple yet versatile Casio MT-64 keyboard and a Roland Groovebox. Toss in matching red track suits, a penchant for Transformers and John Hughes flicks, and two pairs of vintage Porsche wraparound sunglasses and you’ve got a little something called DATAROCK. Their first full-length CD, Datarock Datarock (Nettwerk Music Group; June 12, 2007), takes the feel-good vibe of "Computer Camp Love," turns it up to 11, and blasts a power chord of throwback nostalgia that’ll knock you straight out of your Reebok Pumps. Love letters to Laurie Anderson ("Laurie") and references to Close Encounters of the Third Kind ("Princess") are just the tip of the iceberg. The album’s infectious first single, "Fa Fa Fa," pairs up dance-rock drums with funk-strummed guitars and a chorus that’ll have you jonesing for the nearest copy of Talking Heads’ 77. "Ugly Primadonna," meanwhile, is pure four/four Groovebox robotics and space age Casiotone melodies.†† On "I Will Always Remember You" (featuring Annie), Fredrik does his best Wayne Newton, verbally undressing you with his velvety pipes over a bed of freeze-dried strings before formally "sexing you down" on "Sex Me Up." But more so than any other track on the album, the opening "Bulldozer" perhaps best encapsulates the band’s true modus operandi. Whereas Kraftwerk glorified the Trans-Europe Express and the Tour de France, Datarock prefer to sing the praises of a more proletarian method of transportation: the BMX. Which, according to the Fredrik and Ket-Ill, "is better than sex."
Hailed as "almost impossibly majestic and beautiful" (NPR), Shearwater’s Palo Santo (2007, Matador), a suite of ethereal but oddly disquieting art-rock songs loosely centered around the life and death of singer Christa Paffgen (aka Nico), marked the Texan quartet’s debut on the national stage. The New York Times named the album one of the year’s very best, and the band’s singular combination of sonic abandon and restraint, spun around the soaring, otherworldly voice of part-time ornithologist Jonathan Meiburg - drew comparisons to late-period Talk Talk and both the lovely and anxious moments of Eno’s early solo work.This year’s much-anticipated Rook takes the band into realms both richer and stranger. Though a similarly haunted, elegaic mood - punctuated by flashes of dread and menace - pervades the album, Rook is its own animal, at once more accessible (the near-title track, "Rooks", anchored by Thor Harris’ thunderous kick drum, a booming organ, and a stately trumpet line, could almost be mistaken for radio-friendly) and more accomplished than its predecessor, with a depth and grandeur that seem improbably packed into the album’s tidy 35 minutes. Squalls of feedback have largely given way to sudden gusts of strings and woodwinds, though the band’s fondness for unusual instrumentation remains intact - harp, hammer dulcimer, and a curiously carved metal box all take featured roles. Each song is a mini-epic, from the in-medias-res opening of "On the Death of the Waters" to the pounding (but drumless) urgency of "Leviathan, Bound", the abrupt rock of "Century Eyes", the crystalline depths and heights of "I Was a Cloud" and "The Snow Leopard", and the final, elegant flourish of "The Hunter’s Star". Rook is unlike any other album you’ll hear this year. It has the clarity and yearning ineffability of a waking dream, the strange beauty and internal logic of a fairy tale, and above all, evokes a vanishing world that may or may not be our own.
Since 1997, San Francisco’s Third Eye Blind have recorded three best-selling albums and assembled one career retrospective. 3EB will release ’Ursa Major’, their first studio collection in five years, in autumn 2009. Led by Stephan Jenkins, 3EB won wide success during a tumultuous group of years when the major-label recording industry was finally losing its grip on an enterprise that for decades it had dominated with steely efficiency. Nothing could have made 3EB happier! 3EB, however, have experienced no comparable loss. Instead, they have gained artistic clarification — and, surprisingly, a fan base larger than ever. Participation in the older, untouchable realm of nervous star-making and could color a band’s identity. In the case of 3EB, it often blurred the perception of their brilliant musical creations. In recent years, those creations have recast the band among a current generation of fans. 3EB now write, tour, record, and communicate in a fluid new world where their music continues naturally to evolve. Their exchange with their audience is unfiltered.
Slaraffenland are a Copenhagen, Denmark based band. Their sound is a mixture of many different styles, including post rock, experimental rock, alternative, noise, and freeform-jazz, combined in a unique process that is half composition and half improvisation. Slaraffenland were initially formed in 2001, but their current line-up was not finalized until 2002. The band consists of Mike, Christian Taagehøj, Niklas, Bjoern, and Jeppe. Slaraffenland currently have four releases. Their debut album, the self-titled Slaraffenland, was released in February 2004. Slaraffenland was recorded in October 2003 at the Sauna Recording Studio in Copenhagen with the help and guidance of Magnus Groth. Slaraffenland’s second album, a 20 minute EP entitled Jinkatawa, was released in July of 2005. This 4 track EP was recorded at the Fredrik Mellqvist and the Rumraket studios in Copenhagen. Third is the album Private Cinema released june 2007 on Rumraket and Home Tapes. Fourth is the EP Sunshine expected in the fall of 2008.